Book Review: So Jealous X by Tegan and Sara Quin & Emy Storey
Or does it feel like ages ago? Sara Quin: Both of those things. On the other hand, we sit backstage and laugh and tell stories from that time, especially because Heartthrob i n some ways parallels the growth of So Jealous. We talked so much about So Jealous this year in a way that feels like it was yesterday. The mainstream pop sound of Heartthrob freaked a lot of fans out, but I almost think of Heartthrob as the grandchild of So Jealous. The DNA of the albums feels very much the same.
Looking back on the half decade prior to the release of Tegan and Sara 's breakthrough album, So Jealous , Sara Quin likens those years to being underwater. She and her sister, Tegan, had enjoyed a substantial wave of press when they signed to Neil Young's Vapor Records in , but after three albums and five years of building a small, devoted fanbase through touring, things weren't progressing the way that they wanted. In order to rise back to the figurative surface, and for their music endeavor to become a financially viable career choice, something needed to change. I remember that the anticipation of when we put So Jealous out was totally different, because it really felt for me like, 'If it doesn't do it. I don't know why we would continue. As an artistic response to this self-inflicted pressure, So Jealous delivered in every way. Chock-full of undeniable hooks and colored by new wave synth sounds, the album is an insistent display of the sisters' songwriting talents and burgeoning studio proficiency.
So Jealous is the fourth studio album by Canadian indie pop duo Tegan and Sara , released on September 14, It is their third album on Vapor Records. Two singles were released, " Walking with a Ghost " and "Speak Slow", with videos for each. The album art was created by designer EE Storey. At Metacritic , which assigns a weighted mean rating out of to reviews from mainstream critics, the album received an average score of 70, which indicates "generally favorable reviews", based on 20 reviews. Writing for Rolling Stone , Meredith Ochs praised the album for its "flashes of brilliance" and said that it probably marks the beginning of a successful career. She noted the progression from Tegan and Sara's previous "indie-folk" albums to a more "buoyant punk-pop" sound, inspired by s pop.
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